A good nature film, according to Sterrin, takes you into a story and gives you a lens to look at an animal or ecosystem differently. The film takes you into the experience of an animal and changes or deepens your perspective.

According to Marianne, a good nature film is one in which the maker has not staged anything, but has given nature a chance to show itself. So that we humans will have more understanding and respect for nature and other living things.

For Erik, a good nature film shows above all the beauty of nature, but at the same time it has to have some chafing and urgency to get people to change something.

A good nature film, according to Luc, must have a head and a tail. The images must be able to tell the story so you need minimal commentary. Furthermore, a good tension curve to keep viewers surprised.

A good nature film, according to Edward, has elements of emotion, surprise, drama, information (in the case of documentaries) and humor delivered in a logical, – not contrived – form.